What Am I Reading? Witches of Cahokia …
Witches
of Cahokia (ISBN 978-0-9794737-2-2, Redoubt Books, 2009) by Raymond Scott
Edge is a direct sequel to his Flight of
the Piasa, although it can be read without having first read the prior
book.
You can read my review of Flight of the Piasa here: http://michaelgcurry.com/2014/07/03/what-am-i-reading-flight-of-the-piasa-by-raymond-edge/
As with Flight … it tells two stories – Snow Pine and her descendants
living amongst what will become the Cahokian Mound people of the Mississippi
River north of what is now St. Louis; and archaeology professor Daniel French,
his (now) wife Lauren and his mentor, Dr Fred Eldridge.
Unlike Flight, the story of the ancient cast is told as a narrative – not
as an epistolary last will and testament. In Flight the majority of the book favors the ancient cast’s story. Witches is more balanced between the two
stories – leaning more heavily on the ancient cast especially in the first half
of the book and then on the modern cast in the last half of the book –
particularly as one plot winds down and the other picks up.
SPOILERS AHEAD
The story of Snow Pine and her
descendants begin exactly (is it too much of a pun to say “literally”?) where Flight leaves off – with the death of
her husband Sun Kai in the cave complex near present-day Alton .
We learn Snow Pine’s side of the
story during Sun’s search for her in Flight:
how she was taken captive and sold to the Trading People, married Beaver Lodge,
befriended his head wife Fawn Heart, and otherwise became part of the village due
to her amazing healing techniques. She had a child with Beaver Lodge and called
her Ming.
She is eventually ostracized because
she helped heal members of the Osage tribes who were at war with the Trading
People. She went to live in the valleys and caves near Sun Kai’s grave and the
Piasa painting on the cliffs of the Mississippi River .
She is considered a witch as her legend grows and is left alone by all sides of
the conflict.
She continues to heal anyone who
asks – friend or foe. This includes a young Osage warrior, Young Wolf, who
falls in love with Ming (this takes place over several years). His mother, Buffalo Woman, joins Snow Pine and they and other
Trading People and Osage women form a society called the Daughters of White Buffalo Calf Woman.
They heal; they watch the migration
of tribes and buffalo and report it to Snow Pine. She advises them to tell
their hunters where the buffalo are migrating. In exchange, the Daughters look
for any strangers during their travels that look like her. She is convinced her
people will come for her and Sun – just as Sun predicted on his deathbed.
Eventually all this information is written on joined pieces of buffalo hide.
The Daughters meet every year at the
winter solstice; every year they repaint the Piasa bird.
But time ends all things – Snow Pine
passes her leadership of the Daughters to Ming, who passes it to her daughter
Cassie (named after Snow Pine’s ancient ancestor Cassandra). Cassie then gives
the leadership role to Fawn Heart’s great-granddaughter Raven.
Raven has a vision to go south to
gather a crop of golden kernels, later called mahiz, that will sustain her
people. She, her brother Wildcat and others head to (I assume) Mexico to gather maize. On the way they meet
people both friendly and hostile. They rescue two children, a girl Mala and a
boy He Looks Up, who were about to be sacrificed to the southern tribes’ god.
Mala and He Looks Up are raised by the Trading People. He Looks Up brings his
religion with him and it eventually takes over the Trading People’s lifestyle,
changing it forever.
This part of the story is one of the
more shocking and unexpected plot twists and I will say no more for fear of
spoiling a splendid turn in the tale.
Note all this would still be in the
“BCs” – Emperor Chin’in, a contemporary of Snow Pine and the reason she ended
up with the Trading People, died in 210 BC; so three or four generations after
that would still put us before the birth of Christ.
A few chapters later, after we visit
the storyline of the modern cast, we meet Forest Water
and her daughter Timid Girl. A strange
visitor comes to the town. Could these be the strangers foretold by Snow Pine? Forest Water invites the stranger to her valley home. He rapes her. He is a
Viking named Thornfield Skullsplitter. As she gets her revenge Forest Water is grateful that he is not of Snow Pine’s people.
Some chapters later we meet Zhu Wen.
He sails the world under the orders of Zheng He, an admiral during the Ming
dynasty who sailed to east Africa and, some argue, landed on American
shores. In Witches, Zhu Wen sails up
the Mississippi River until he gets to the deserted mound city
of Cahokia .
Zheng He died in 1433, around the
time of the end of the Cahokian Mound culture – the author did an excellent
melding these facts together.
He sees the Piasa and is shocked to
spot a dragon from his own culture painted on a cliff face on the other side of
the world. The White Buffalo Calf Woman named She Who Remembers spots his ship and knows Snow
Pine’s people have finally returned as prophesied. She gives Zheng He Sun Kai’s
journal and the buffalo hide of her coven, with fourteen hundred years of
information. This finally answers a thread left from Flight – what happened to Sun’s journal and how did it get back to China ?
“Meanwhile” Daniel French’s story
picks up ten years after the end of Flight
– Daniel and Lauren are now married and have children. Both Daniel and Lauren
are professors of archeology at SIU-Edwardsville, supervised by their former professor
Fred Eldridge.
Road construction unveils a pair of
female skeletons from ancient times. Construction halts until the skeletons are
examined. Eldridge sends Mr. & Mrs. French along with assistants Josh Green
& Jenn Rauch. Unfortunately these two lovers have just joined the Creative
Artifacts Society – an anarchic group of Luddites who bury false evidence at
such construction and archeology sites to halt the destructive advance of
society.
The author makes no bones about the
CSA’s villainy; their leader is a charmless terrorist who disappears quickly. I
wonder if he will appear in the third book. Josh and Jenn plant an
anachronistic buffalo hide amongst the finding at the construction site and the
Frenchs and their friend, Jared Davidson, investigate. When they get too close,
Josh and Jenn frame Jared for an attempted rape as their distraction. Eldridge
must deal with the accusation and not only its affect on Davidson but on the
department. Josh makes things more difficult by staging protests demanding
Davidson’s removal from the university.
More time is spent with Eldridge in
this book – we meet his wife and learn a bit of his background – and we see
more of him than the cynical curmudgeon from Flight. He still lectures and suffers no fools, but especially at
the end, we see his love for his trade. You can hear the giddiness in his voice
during his phone call to Daniel at the end of the book. He goes to China at their invitation to examine a strange Buffalo hide the government has been keeping for
quite some time…
This presumably sets of the third
book, but without doing it as a cliff-hanger.
If the story ended here, the reader would be satisfied.
END OF SPOI LERS
There is foreshadowing of the next
book, but it does not end in a cliffhanger. It ends the way stories end in life
– some threads end (the CSA’s framing of Dr. Davidson, but not without
consequences to Davidson, Josh or Jenn) and other threads begin (the Illini
Confederation’s restraining order to stop any further investigation of the
bodies found). I assume all these threads will be picked up and explored in the
third book.
Time was handled well - eventually,
although as a reader it was frustrating at times. The readers know these women
lived before the time of Christ as does their second and third generations, yet
it seems as if the archaeologists consider them part of the Cahokian Mount
culture from a thousand years later. Only late in the book is something said
about the time differences between the multiple generations of bodies found. A
quick line earlier in the story (“…these could be from a thousand years earlier
or more…”) would have helped that nagging criticism.
Daniel and Lauren are just as
likable as in Flight. They have aged
and grown more confident in themselves and their skills as is expected. The
growth in character of Eldridge is the most pleasant of all – we grow to
respect his intelligence and authority rather than the somewhat-two-dimensional
foil of Flight whose job seemed to be
to consistently poo-poo anything Daniel had to say. Note that Eldridge’s “two dimensionality”
wasn’t as apparent while reading that first book. The impression the character made
in Flight wasn’t necessarily the correct
one. Then again, he wasn’t as central to that story as he is to Witches.
New characters: Jared Davidson is a
welcome addition and is written as a good and loyal friend. Josh is written as
the smart-ass infallible know-it-all most college students are at that time in
their lives (Daniel at that time in Flight
was filled with doubt and less of a smart-ass, but he’s an exception). Jenn is
a tool.
I enjoyed Flight very much. I enjoyed Witches
even more. It is a better book. The modern-day characters are given more to do
than just be our guide to the story from the ancient past – they are given
their own drama to allow their good and bad personalities a chance to be shown
and to grow. Plus the epistolary style of the first book lends to a lack of
immersion in the story, I think. Reading a “letter” – even an excellent one
like Flight, in which the “letter” is
a long narrative – is still reading a letter. That willing suspension of
disbelief is harder to do than with a story set presently. You know the
letter-writer will survive at least long enough to write the letter! In a
current narrative, not so much. In fact, some of the deaths – whether naturally
or at the hand of man (or woman or child) is sudden and shocking. I know we’re
talking about fictional people who lived two thousand years ago, of course they
are dead by now (and of course they never existed to die in the first place),
but for the reader to be saddened even a little at their deaths – or be shocked
when they are killed – shows good writing. We care what happens to them. The
fact that the modern cast may have found their remains and their writing gives
the reader a sense of closure.
One last book in the trilogy is
left. I’ll start it soon and hope to finish it before my Christmas “break” from
reading (I always stop and read holiday fare between Thanksgiving and New Years
– starting with A Christmas Carol, L
Frank Baum’s Life and Adventures of Santa
Claus, Tolkien’s Father Christmas
Letters and whatever else strikes my fancy.
I’ll definitely blog about the third
book when finished.
Support independent authors! Support
local authors! Read their books! Tell others to read their books! Post positive
comments online if you enjoy it! Please?
Michael Curry
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