Blazing Adventures Part 2
Continuing my index/history of the greatest comic magazine... ;-)
Just
from observing the covers, it would appear the Silent Knight was the star
attraction. Including #1, he appeared on
eleven of the first fifteen covers and again in issues #18 and 20. Only Batman appeared on the cover of B&B
more times.
And with
good reason: the Silent Knight feature was certainly the most colorful and
energetic of the features in this period.
Bright red and blue hoods and capes abounded in the days of Camelot; as
young Prince Brian Kent was trained in the ways of knighthood and leadership
until he could ascend the thrown on his eighteenth birthday. In the meantime, wicked Sir Oswald controlled
the kingdom. To help the oppressed,
young Brian assumed the red mantle of a knight, but as he stated in every
issue, "Now I must remain mute, lest my tongue reveal my true identity!”
With the aid of his trusty horse and
falcon, Brian fought brigands, Oswald’s henchmen and even some Knights of the
Round Table to keep the peace. Ever
attracted to the fair lady Celia, she had eyes only for the Silent Knight (this
plot devise long a comic staple). At
times it seemed very superheroic – Brian had to sneak away to change into the
Silent Knight. Often Celia tried to
prove Brian and Silent Knight were one and the same, only to be fooled into
thinking otherwise. Lois Lane and Clark Kent – no
relation to Brian (how did DC miss that obvious plot twist?) – had been
going round and round with this plot devise for seventeen years by this point!).
Silent Knight appeared twenty-two
times in Brave and Bold; as many as the more popular Viking Prince. The stories were written by Robert Kanigher and
sometimes by Bob Haney and were drawn mostly by the legendary Irv Novick (a few
stories were drawn by Russ Heath).
Novick’s art style fit the feature perfectly – as clean and brightly
colorful as the Cinemascope movies “Ivanhoe” and “Robin Hood” from which Silent
Knight was inspired. Scale armor was
painstakingly detailed as were the weapons of the period. Later stories focussing on dragons and magical
beasts did not dampen the spirit of the comic. One could almost hear the orchestra swelling
during the jousting and hand-to-hand combat scenes.
As beautiful as the art was, the
strip seemed to suffer from … sameness.
A brief synopsis of the stories published show some of the flaws:
1.
His father “accidentally”
killed by Sir Oswald, our Brian is ordered by Oswald to train in knightly
ways. Brian impresses his teachers with
his skills. Brian accidentally releases
the falcon Slasher; and while recovering it, Brian discovers the mysterious
armor, helmet and sword held floating mysteriously in the forest. He defeats brigands and is given the name
Silent Knight.
2.
Prince Brian has
to protect fair lady Celia (who was delivering jewels) from the Robber Baron.
3.
Cedrick the Black
storms the castle. With all other
knights away on missions, the castle’s only defenders are old Sir Grot, evil
Sir Cedrick, and Brian!
4.
How can the
Silent Knight defeat the Robber Baron, when the Baron uses a shield as tall as
a horse?
5.
Brian defeats the
twin “Hooded Terror”, who blocks a bridge demanding a toll; then on to the
Tournament of Roses to defeat Sir Edwin’s knights.
6.
Evil Sir Edwin
hires a fake Silent Knight to lure the real hero into his clutches.
7.
Ala Cinderella’s
slipper, everyone must try on a replica of Silent Knight’s suit of armor. Will Brian be revealed as the Silent Knight?
8.
Evil Sir Oswald
(Edwin and Oswald are apparently interchangeable) orders Brian to capture the
Silent Knight!!
9.
To appease the
wrath of a knight, Alvin the kitchen boy must capture the Silent Knight.
10.
Evil Sir Oswald
orders our Brian Kent to deliver the Sun Ruby to Sir Duncan through the Forest
Perilious. How can the Silent Knight
save him from bandits when he is the Silent Knight?
11.
Tana the Stallion
and Slasher the Falcon compete to see who Silent Knight needs and relies on the
most!
12.
Sir Brathe plots
to capture the Silent Knight and take him to Camelot to ensure his membership
in the Round Table.
13.
In a series of
continuing story lines, Sirs Galahad and Lancelot woo fair Lady Celia and
battle the Silent Knight.
14.
Tricked into
going to Camelot, the Silent Knight bests Galahad and Lancelot in a two-to-one
joust.
15.
Guinnevere states
that only the bravest knight could challenge the Silent Knight and make him
speak! Galahad and Lancelot accept the
challenge!
16.
Silent Knight
meets the challenge of the Triple Thunderbolts (evil knight triplets!) to save
Camelot.
17.
Sir Edwin tries
to drown and then burn the Silent Knight to make him reveal his identity.
18.
As tall as a
mounted knight, evil Sir Hawk torments all who enter the Forest Perilous! When he kidnaps the fair Lady Celia, the
Silent Knight must best Sir Hawk in combat!
19.
Silent Knight
loses to Morgan La Fay’s champion – an empty suit of armor! To win his freedom, Brian must retrieve a
golden apple and a necklace guarded by, respectively, a dragon and a giant
sword-wielding arm!
20.
A horse (Tana)
only responds to Brian, will it also respond to the Silent Knight and expose
his secret identity?
21.
The Silent Knight
rescues a giant eagle from a dragon. The
eagle returns the favor in rescuing the Knight and Celia from the vengeful
ghost of a haunted castle.
22.
Russ Heath draws
the final tale of the Silent Knight.
Brian must accept the three challenges of the Queens
of Dread or England it doomed! 1)
Cross the Knife Edge Mountains , 2) defeat the Knights of the Clock (mechanical
knights) and 3) defeat a Queen of Dread in hand-to-hand combat without touching
her (as no knight can touch a lady)!
Editorial: One small problem with this story is that Silent Knight falls
before completing his crossing of the Knife Edge Mountain ! He is
attacked and thrown off the mountains by Bird Men and is saved by landing on
and taming a griffin. But he never
crossed the mountains! He failed in his
first task! But that fact is gleefully
overlooked!
The similarity in storylines is particularly evident
while reading several stories in sequence.
Truly unique plots (such as the competition between the horse and
falcon) were too few. When the
limitations of the premise became evident the stories began to focus more on
magic and mysticism – for example, King Arthur and Merlin appeared more
frequently. By this time, though, most
of the energy of the strip had gone.
Silent Knight began losing more and more cover appearances and his last
tale, drawn by Russ Heath, adopted the darker tones of Heath’s other features.
But the twenty-two adventures of the
Silent Knight were still fun to read, which was the whole point, wasn’t it?
***
Issue #1 also featured the first of five
appearances of the Golden Gladiator, and was his only cover appearance. Robert Kanagher and Bill Finger wrote
individual stories with the art on all five stories by Russ Heath. The equal in skill to Irv Novick, the style
was completely different. The lines were
darker, the motion less fluid and the colors more muted. The characters were also beefier and more
muscular than any other feature.
National was obviously trying to
cash in on the success of Hollywood ’s sandal epics (“The Robe”,
“The Silver Chalice”, and oh yes, “Sparticus”).
A former slave wins his freedom in the arena and makes his name with his
fighting powers and honorable demeanor.
Wearing armor made of solid gold gives him his name (and very likely a
backache – how could he defend himself?
Gold is among the softest and heaviest of metals, not a good idea for
armor). Some of the storylines were as
follows:
1.
In the origin
tale, a shepherd boy named Marcus is framed for the attempted murder of a
praetor; he is made a slave, but wins his freedom in the arena.
2.
The Golden
Gladiator battles Attila the Hun – stealing the Hun’s sword and ensuring peace
for Rome !
3.
Marcus returns to
his home village, only to find that, while the men are away fishing, the town
is under attack by Cassius the Conqueror!
The only aid he can find come from the town’s children!
4.
Captured by a
collector of all things gold, the Gladiator had to fight his way to freedom.
5.
While stationed
in Egypt , Marcus fails to protect the Banner of Peace from
being stolen; can he recover the banner before dawn when the desert tribes will
attack?
Golden Gladiator never was as
successful as his B&B mates. Perhaps
the premise was too limited; perhaps the writer and editor could not come up
with any further stories to tell. After
four issues, he was dropped. Although he
appeared again in issue #6, the Golden Gladiator’s time was gone. He was replaced by one of the most famous
heroes of all time!
***
Robin Hood is such an obvious choice
for B&B’s format one wonders why they bothered with anything else. Maybe it was because Quality Comics was
already publishing a Robin Hood comic at the time. Perhaps that’s why Robin Hood only appeared
on the cover of B&B three times -- #5 (his debut), #12 and #14.
The premise is well-known: while
King Richard fights in the crusades, evil Prince John takes the thrown and
oppresses the masses. Prince John
destroys the lords of the land loyal to his brother, including Robert of
Lockesly. Hiding in the woods, Lord Robert adopts the name Robin Hood who, with
his band of Merrie Men, combat the machinations of the evil Prince John.
Kanigher again wrote, Heath again
drew. Perhaps in their eagerness to make
room for a Robin Hood strip they gladly ousted the Golden Gladiator. Heath’s art again is dark and thick –
perfectly reflecting oppressive times. Colors
were forest green and maroon compared with the Silent Knight’s bright
inks. Even while Robin Hood laughingly
thumbs his nose while escaping Prince John, the Sheriff of Nottingham and their
minions, the costumes and colors remained muted and dark; as if telling us the
evil of Prince John will return next time.
Joe Kubert drew a few issues, doing his usual competent job, although
nothing spectacular as was the case elsewhere in those issues. In his first few issues, Robin Hood appeared
more like Errol Flynn – fair skinned with light brown hair and a goatee. Later he appeared more muscular, with dark
hair and eyes.
Surprisingly considering the
well-known plot, the sameness that plagued Silent Knight did not happen in this
strip. Although Prince John always
plotted and Robin always won out, the stories were unique and well done:
1.
Prince John
captures the Merrie Men, and Robin must perform three tasks: capture the Golden Stag bare-handed, defeat a
giant on a bridge over a ravine, and snuff out a candle with an arrow while
blindfolded.
2.
Prince John’s
trained boar attacks Robin. Later, King
Richard is rescued by kites flown over Prince John’s castle.
3.
Robin Hood
rescues Little John and is pursued through Sherwood Forest – how is Prince John tracking him so easily?
4.
A court jester
helps Prince John try to capture Robin Hood through various games and
challenges.
5.
Can Robin Hood
fight twenty swordsmen, rescue his merry men and save Maid Marion with only
three arrows?
6.
At Prince John’s
behest, King Trident’s colossal floating fortress smashes King Richard’s supply
ships. Robin Hood vows to stop the
pirate!
7.
An
amnesia-stricken Robin Hood is duped by Prince John into capturing the Merrie
Men!
8.
Robin Hood faces
three challenges (spend the night in a haunted castle, steal a black eagle’s
egg and shoot an arrow through a solid oak tree) to win a golden apple from
Prince John. Is this the same golden
apple the Silent Knight retrieved for Morgan La Fey?
9.
Robin Hood is
crowned king for one day. His duties:
collect unfair taxes, imprison knights loyal to King Richard and (gulp!)
capture the Merrie Men!
10.
Three fake Robin
Hoods loot the Village of Tynesbury .
By issue #15 (January 1958),
National had bought out Quality’s line of comics, cancelled Plastic Man and kept publishing Blackhawk and GI Combat among others. That
also included the Robin Hood
comic. There was no longer any reason to
keep Robin in B&B, so he packed up and moved into his own National magazine
– the first feature from B&B to obtain his own magazine!*
Robin’s adventures in B&B and his own magazine were reprinted in the
several issues of DC Super Stars in
the 1970s, sharing the bill with the 3 Musketeers.
With Robin Hood’s departure, B&B
changed format slightly to feature only two stories per issue. Silent Knight was still going strong, but the
star of the comic was obvious from issue #16 on.
copyright (c) 2012 Michael G. Curry
* The first of eight features that debuted in Brave
and Bold to move on to star in their own magazine. The others were the Justice League of America , an updated version of the
Suicide Squad (some 25 years after their B&B debut, but it still counts!),
Hawkman, Strange Sports Stories, Metamorpho, The Teen Titans and the Outsiders.
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